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Between and Mortarboard

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35 UMMA Objects
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This abstract print has a black circular shape near the center of composition. Around it, there are black and brown lines of varying thickness creating two circular designs in the top half of paper. The print is numbered (l.l.) "26/75" and signed (l.r.) "Joan Mitchell" in pencil.
Joan Mitchell (American (North American))
Sunflower VI
1972
Museum Purchase
1974/1.104

Grace Hartigan
Notions
1990
Bequest of Gertrude Kasle
2016/2.91
Gray background with black undefined, unlined shapes beneath a white circle outlined in black.
Adolph Gottlieb (American (North American))
Untitled
1972
Bequest of Gertrude Kasle
2016/2.88
An abstract print featuring two black undefined lines crossing the top and bottom connected by another undefined line which extends to the edge of the left side.
Robert Motherwell (American (North American))
Africa 1
1970
Bequest of Gertrude Kasle
2016/2.105
<p>Interior composition with male and female dancers positioned at center with seated female at lower left, standing male on crutches at right and a group of birds in the leftmost background.</p>
Max Beckmann (German (culture or style))
Begin the Beguine
1946
Museum Purchase
1948/1.103
This abstract print has a large dark red and black circular form in the top half of the frame and a large orange and red circular form in lower half.  Black splotches and expressive lines dominate and overlap much of the image.
Joan Mitchell (American (North American))
Sunflower III
1972
Museum Purchase
1974/1.103

Lyonel Feininger (American (North American))
Troistedt
1919
Museum Purchase
1952/2.7
Abstract expressionist painting done on a paper collage that has been cut along the edges of the brushstrokes. Some images visible under the paint: page from pornographic magazine (penis); text: &ldquo;TOY GUNS&rdquo;; reproductions of expressionist painting; close-up of a butterfly from National Geographic-type publication; car.
Charles Clough
Untitled
1983
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the Nation Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services
2008/2.226
A mass of small, colorful brush strokes.
Robert Goodnough (American (North American))
Untitled
1975
Gift of Gertrude Kasle
2011/1.60
Geometrically patterned composition with bright saturated colors composed of a central female figure with mermaid&rsquo;s tail and bright red mane of hair; skull-headed figure at left with guitar; two green monster-like figures in upper right quadrant; two black fish with blue eyes near center.
Oskar Kokoschka (Austrian)
The Snake Charmer
1907 – 1908
Gift of Herbert Barrows
2000/2.180
Colored lithograph using Ben Day dots in blue to depict an abstract seascape.
Roy Lichtenstein (American (North American))
Seascape (I), from the portfolio "New York Ten" (C.34)
1964 – 1965
Gift of the Lannan Foundation in Honor of the Pelham Family
1997/1.128
A framework three-dimensional cube sits at an angle so that one of its corners appears to protrude from the center of the piece. The cube is gray, with dark gray shading on the shadowed edges, and dark and light yellow shading on the lit edges. The canvas is cut to the dimensions of the cube.
Alvin D. Loving
Untitled Cube
1969
Museum Purchase
1969/2.25
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